Нотна свеска
Оригиналан
Miserere nostri. Thomas Tallis. A cappella. Sacred , Motet. Language. Latin.
Превод
Мизерере наш. Томас Таллис. А капела. Сацред, Мотет. Језик. Latin.
Оригиналан
Miserere nostri is an astoundingly ingenious canon. Most obvious is the canon between the two top voices. mentioned at the foot of page 1. , which sing the same line throughout but half a bar apart. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices. all start singing the same melody at the same time but at four different speeds, two of them in inversion. By bar 6, the Second Bass has already sung the whole of the part assigned to the slowest singer, the First Bass. Amazingly, this fiendish process not only works but produces convincing harmonies which sound as if they are the very raison d’être of this understandably short piece. To enjoy them to the maximum, the music should be taken fairly slowly, so as not to skate over the passing dissonances. from the score of CPDL #6605. Original key. F major. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.
Превод
Мисерере ностри је запањујуће генијалан канон. Најочигледнији је канон између два топ гласа. помиње на дну стране 1. , Који певају исту линију током али пола бара поред. У међувремену, међутим, другачија и мање чује канон је у току између четири од пет ниже гласове. сви почињу да певају исту мелодију у исто време, али на четири различите брзине, двојицу у инверзије. До бар 6, Други Бас је већ певао цео дела која је додељена најспорији певача, првог Басс. Невероватно, то ђаволски процес не само радови већ производи убедљиве хармоније које звуче као да су веома раисон д'етре овог разумљиво кратком тексту. Да уживамо у њима до максимума, музика треба узети доста споро, тако да не клизати преко пролазе дисонанцама. from the score of CPDL #6605. Оригинални кључ. Ф-дур. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.
