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Оригиналан

Venite exultemus Domino. Benjamin Britten. Choir sheet music.

Превод

Вените екултемус Домино. Бенџамин Бритн. Хор партитион.

Оригиналан

Venite exultemus Domino. 1961. SATB and Organ. Composed by Benjamin Britten. 1913-1976. Choral. 12 pages. Chester Music #CH76571. Published by Chester Music. HL.14037804. ISBN 1849387036. 6.75x9.75 inches. Text. Psalm 95. Book of Common Prayer. Morning Prayer. Publisher. Chester Music. Difficulty level. 1-2. This work was not published in Britten's lifetime but it was obviously intended as a companion work to the Jubilate in C as it was written in the same year. It wasnt performed until 1983 when it was given its premiere in Westminster Abbey under Simon Preston. The choir sings chant-like phrases almost in the manner of Anglican chant. The organ joins the end of a phrase and modulates where it will from where the choir picks up and travels to a further place. The phrases are varied dynamically but the greatest colour is given via the medium of key change. It is a curiously effective piece. Time is almost suspended, and once the listener has got over the surprise at its means and has settled into focusing on the words, the music takes on a life of its own. The gentle Gloria is especially effective. Duration. 6 minutes. Paul Spicer, Lichfield, 2011.

Превод

Вените екултемус Домино. 1961. САТБ и органа. Састављен од Бењамин Бриттен. 1913-1976. Хорски. 12 страна. Chester Music #CH76571. Издаје Цхестер Мусиц. HL.14037804. ISBN 1849387036. 6.75к9.75 инча. Текст. Псалам 95. Књига заједничке молитве. Морнинг Праиер. Издавач. Честер Музика. Ниво тешкоће. 1-2. This work was not published in Britten's lifetime but it was obviously intended as a companion work to the Jubilate in C as it was written in the same year. It wasnt performed until 1983 when it was given its premiere in Westminster Abbey under Simon Preston. The choir sings chant-like phrases almost in the manner of Anglican chant. The organ joins the end of a phrase and modulates where it will from where the choir picks up and travels to a further place. The phrases are varied dynamically but the greatest colour is given via the medium of key change. It is a curiously effective piece. Time is almost suspended, and once the listener has got over the surprise at its means and has settled into focusing on the words, the music takes on a life of its own. The gentle Gloria is especially effective. Трајање. 6 минута. Павле Спицер, Личфилд, 2011.