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Оригиналан
The Old Castle. Modest Petrovich Mussorgsky. Alto Saxophone sheet music. Piano Accompaniment sheet music.
Превод
Стари дворац. Модест Петрович Мусоргски. Алт саксофон партитион. Клавирску пратњу партитион.
Оригиналан
The Old Castle. from "Pictures at an Exhibition". Composed by Modest Petrovich Mussorgsky. 1839-1881. Arranged by Heinz Both. For alto saxophone and piano. This edition. ED 20996. Saddle-stitch. Brass. Wind Music. Grade 2-3. 10 pages. Published by Schott Music. SD.49019006. ISBN 9790001174619. With his piano cycle "Pictures at an Exhibition" from 1874, Mussorgsky created a classic example of programme music. Based on the paintings of his deceased friend Viktor Hartmann, he also composed the lyrical serenade 'Il vecchio castello'. The Old Castle. , among others. Hartmann's picture shows a medieval Italian castle with a singing troubadour who accompanies himself on the lute. In Maurice Ravel's subsequent famous orchestral version, the beautiful, melancholy melody was played by the alto saxophone. Accompaniment, prelude and interludes are reminiscent of playing a medieval hurdy-gurdy with its pervading drone bass. Therein lies the continuity of the piece, thereabove lies the quiet romance with its melancholy character - the unrequited love of the troubadour. This separate edition now gives all saxophonists the opportunity to play the piece with piano accompaniment.
Превод
Стари дворац. from "Pictures at an Exhibition". Састављен од Модест Петрович Мусоргски. 1839-1881. Распоред Хеинз Оба. За алт саксофон и клавир. Ово издање. ED 20996. Седло-бод. Месинг. Ветар Музика. Оцена 2-3. 10 пагес. Издаје Сцхотт Мусиц. SD.49019006. ISBN 9790001174619. With his piano cycle "Pictures at an Exhibition" from 1874, Mussorgsky created a classic example of programme music. Based on the paintings of his deceased friend Viktor Hartmann, he also composed the lyrical serenade 'Il vecchio castello'. Стари дворац. , Између осталог. Hartmann's picture shows a medieval Italian castle with a singing troubadour who accompanies himself on the lute. In Maurice Ravel's subsequent famous orchestral version, the beautiful, melancholy melody was played by the alto saxophone. Accompaniment, prelude and interludes are reminiscent of playing a medieval hurdy-gurdy with its pervading drone bass. Therein lies the continuity of the piece, thereabove lies the quiet romance with its melancholy character - the unrequited love of the troubadour. This separate edition now gives all saxophonists the opportunity to play the piece with piano accompaniment.
