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Оригиналан
I lie and slumber, still and peaceful. Johann Christoph Friedrich Bach. Choir sheet music. Piano and Keyboard sheet music.
Превод
I lie and slumber, still and peaceful. Јохан Кристоф Фридрих Бах. Хор партитион. Клавир и тастатура партитион.
Оригиналан
I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Klaus Hofmann. Arranged by Johann Horn. For SATB choir,. basso continuo. This edition. Paperbound. Stuttgart Urtext Edition. German title. Ich lieg und schlafe. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. Full score. Language. German. English. BR JCFB H 100. 40 pages. Duration 15 minutes. Published by Carus Verlag. CA.3410100. ISBN M-007-05187-7. With Language. German. English. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.
Превод
I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Едитед би Клаус Хофманн. Распоред по Јоханн Хорн. За САТБ хор,. Бассо континуо. Ово издање. Папербоунд. Штутгарт Уртект издање. Немачки наслов. Ich lieg und schlafe. Сацред, Мотетс, Псалми, немачки. Штутгарт Уртект издања. Авто. Јутро, подне, вече, Моурнинг, Смрт. Користите током црквене године. Свети недеља. Фулл сцоре. Језик. Немачки. Енглески. BR JCFB H 100. 40 страна. Трајање 15 минута. Издаје Царус Верлаг. CA.3410100. ISBN M-007-05187-7. Са језика. Немачки. Енглески. Сацред, Мотетс, Псалми, немачки. Штутгарт Уртект издања. Авто. Јутро, подне, вече, Моурнинг, Смрт. Користите током црквене године. Свети недеља. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.
