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Оригиналан

Open My Eyes. Benedetto Marcello. Choir sheet music. Organ Accompaniment sheet music. Beginning.

Превод

Отворите Ми Еиес. Бенедето Марчело. Хор партитион. Орган Пратња партитион. Почетак.

Оригиналан

Open My Eyes composed by Benedetto Marcello. 1686-1739. Arranged by Dale Gortenhuis. For 2-part Choir. Keyboard. Unison, two and 3-part choir. Last Sundays of Easter Season, Ascension, Pentecost. WLP Choral Series. Vision, light, spirit, discipleship, praise. Easy. Moderate. Octavo. 6 pages. Published by World Library Publications. WL.008761. This graceful and flexible arrangement of a work by Benedetto Marcello allows even small choirs to sing a well-crafted anthem with ease and success. The two voices can be assigned to soprano. alto, tenor. bass, or women. men. Larger choirs can make use of this piece by varying the voicing for different sections of the piece. The opening section presents interesting interplay between the two vocal parts in a series of petitions for increased faith. The musical character changes to praise, and seamlessly returns to the first section. da capo. to complete the classic form. Dale Grotenhuis' lovely arrangement makes the most of this fine music and text.

Превод

Open My Eyes composed by Benedetto Marcello. 1686-1739. Arranged by Dale Gortenhuis. За 2-део хор. Тастатура. Унисон, два и 3-део хор. Last Sundays of Easter Season, Ascension, Pentecost. ВЛП Хорска Серија. Vision, light, spirit, discipleship, praise. Лако. Умерен. Осми. 6 страна. Издаје Ворлд Либрари Публицатионс. WL.008761. This graceful and flexible arrangement of a work by Benedetto Marcello allows even small choirs to sing a well-crafted anthem with ease and success. The two voices can be assigned to soprano. alto, tenor. bass, or women. људи. Larger choirs can make use of this piece by varying the voicing for different sections of the piece. The opening section presents interesting interplay between the two vocal parts in a series of petitions for increased faith. The musical character changes to praise, and seamlessly returns to the first section. da capo. to complete the classic form. Dale Grotenhuis' lovely arrangement makes the most of this fine music and text.