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Оригиналан

Trois Axes. Alto Saxophone sheet music. Advanced.

Превод

Trois Axes. Алт саксофон партитион. Напредан.

Оригиналан

Trois Axes composed by Philippe Racine. For 3 alto saxophones. Swiss Composers Series. Contemporary. Advanced. Score and parts. Composed 2006. Duration 4 minutes 50 seconds. Published by Editions BIM. ET.SAX16. Three axes for three saxes, the title is programmatic. The first saxophone turns around his axis in quintuplets. and "tentuplets". disguised as sextuplets. The second one does it with triplets disguised as quintuplets and the third one with triplets as sixteenth notes. Each instrument plays very strictly in his own tempo. The performer should make no mistake about it. the word game of the title can't hide the great difficulty of the piece. The first performance occurred on January 28, during the "2007 Days of the Saxophone" at the Lausanne Conservatory. Switzerland. The piece was played twice by two different ensembles. Fabien Girard, Pietro Soldini and Sébastien Schiesser from the Hochschule der Kunste Zurich and Patrick Stadler, Markus Treier and Christoph Maass from the Hochschule fur Musik Basel.

Превод

Trois Axes composed by Philippe Racine. За 3 алто саксофона. Швајцарски Композитори Серија. Савремен. Напредан. Резултат и делови. Састоји 2006. Трајање 4 минута 50 секунди. Издаје Едитионс БИМ. ET.SAX16. Three axes for three saxes, the title is programmatic. The first saxophone turns around his axis in quintuplets. and "tentuplets". disguised as sextuplets. The second one does it with triplets disguised as quintuplets and the third one with triplets as sixteenth notes. Each instrument plays very strictly in his own tempo. The performer should make no mistake about it. the word game of the title can't hide the great difficulty of the piece. The first performance occurred on January 28, during the "2007 Days of the Saxophone" at the Lausanne Conservatory. Швајцарска. The piece was played twice by two different ensembles. Fabien Girard, Pietro Soldini and Sébastien Schiesser from the Hochschule der Kunste Zurich and Patrick Stadler, Markus Treier and Christoph Maass from the Hochschule fur Musik Basel.